Robert Adanto’s Pearls on the Ocean Floor challenges this stereotype and caricature obscuring the vibrant and robust culture in Iran and its diaspora. Professor Hamid Dabashi recently wrote, “a much more patient reading of the visual and performing arts of this generation is needed before we know what in the world it is doing.” Indeed, as the younger generation invents a new identity for the 21st century, contradictions abound. Photographer Shadi Ghadirian explains that her work “touches upon our struggle to hold on to our parents’ and grandparents’ traditional values and practices while experiencing the benefits of modernity without getting caught up in its vices… Change is an inevitable process,” she says.
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